Tuesday, November 8, 2011

Ennio Morricone - Morricone Happening: Acid Sides of the Maestro (196x-'7x)


If you've read this blog previously, you know that I will not shut up about Ennio Morricone. So I won't add to the hyperbole I've already thrust upon the readership. I'll just say that if there's a go-to Morricone album for me, this is the one. 

Whet your appetite on some psychedelic Morricone...




And now for the Main Course:

MORRICONE HAPPENING: ACID SIDES OF THE MAESTRO part 1

MORRICONE HAPPENING part 2



























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Thursday, October 27, 2011

Erotic Italia: The Insatiable Sounds of '70s Italian Cinema


Another mix I put together of stuff I've been into the last few weeks, this one heavy on Piero Umiliani who I'm currently digging. This collection just in time for winter's arrival. Find a warm spot, red wine or drink of choice, a hot babe and dig these chilled grooves.


First a sip..




Erotic Italia: The Insatiable Sounds of '70s Italian Cinema
 




































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Monday, October 24, 2011

Franco Micalizzi - Istantanea di una Rapina (Hold-Up) (1974)




Again, never seen this one. But any film that gets a 4.7 on imdb gets my respect. What I know for certain is that this is Italian Poliziotteschi at its best. Gorgeous soundtrack by Micalizzi. Lots of strings on this one, and a main theme that's reworked in a lot of interesting ways. Some raw guitar and breakbeat sections not unlike a lot of what we hear in Morricone's polizio work.




This particular song includes the flute and trumpet to give a particularly American Blaxploitation film feel. Check how the bongos/djembes are brought forward at about the one minute mark








Thursday, October 20, 2011

Piero Umiliani - La Ragazza Fuori Strada (1975)


I've been playing this soundtrack to a movie I've never seen pretty much all week. Doing a four hour commute on workdays in a city of god-knows-how-many-people (25 million?) and all that comes with it requires some form of therapy, and Piero Umiliani's gorgeous score has been the flavor of the week. The music is the perfect counterpoint to the madness of a big city. It's a complete tease of an album, full of songs that at first seem to be building slowly to some huge payoff. But one soon settles into the mellowest of grooves.

This one is a Moog-ish piece, a lovely number totally of its time:



La Ragazza Fuori Strada

Monday, October 17, 2011

Giuliano Sorgini - Under Pompelmo (1973)


Some psych, beat & rare groove here. This one is full of gems, the quality of which only various artist mixes are able to achieve. This ain't no va collection, just Giuliano Sorgini killing it. The 16 minute title track is a thing to behold, a legendary track among collectors of this sort.

Great breakbeat material on this teaser which has surely been sampled somewhere.



Under Pomplemo

Got this from Funky Frolic. Check his excellent site.

Friday, October 14, 2011

Ennio Morricone - Molto Mondo Morricone (197x)

I'll start off this mondo madness with an album full of torrid, love-fueled, dripping-with-desire Ennio Morricone. Check this groovy cabaret-ish walking bassline track with some nasty horns and scatty vocal.





Morricone is a fitting starting point. Everything that draws me to the Euro lounge groove/cinematic funk genre starts and ends with Morricone. He is easily the most prolific and important pop musician Italy has ever produced, and along with the handful of British and American artists of the same era, among the most influential popular musicians of all time. Certainly when it comes to scoring a film, the man has no peer.

This album collects tracks from various Morricone-scored films from the late 1960s and early 1970s. This era of Morricone's work is some of the most glorious music you'll ever lay ears on, so incredibly sexy, and undoubtedly the soundtrack to the lives of thousands of lovers.

In addition to Morricone's mellow, unforced eroticism, there's also some very cool uptempo stuff, like the infectious "Intermezzino Pop" from Luciano Ercoli's Giallo film Le Foto Proibite Di Una Signora Per Bene (Forbidden Photos of a Lady Above Suspicion).





Essential listening from a genius of our time.

Molto Mondo Morricone

Sunday, October 9, 2011

Euro Lounge Groove


I DJ-ed my friend Oliver's wedding last week. Had a blast first spinning some cocktail and jazz, a bit of Pachabel's D Minor for the bridal march, followed by erotic rare groove revelry at the Well Bar after dinner. Tales of extreme drunkeness and unique behavior... Props to Olly for putting on an excellent time. Best. Wedding. Ever.

In the next month High Plains Drifter will feature some of my favorite sleazy European albums from the '70s. Much of it will derive from sexploitation flicks, Library music, downtempo, lounge groove... I never know what to call it, but generally think of it as The Right Side of Cheese. Before that I thought I'd start by getting peeps in the mood with a custom compilation of some of the tunes from Olly's wedding reception party, mostly erotic Italian cinematic stuff, heavy on funky bass and breakbeats from the early to mid '70s with one or two non-Euro tracks thrown in. Here be the fruits...


First a little sample:




DOWNLOAD EUROPEAN LOUNGE GROOVE & ELECTRO SOUL



Monday, October 3, 2011

#1: Linton Kwesi Johnson - Forces of Victory (1979)




Preview...

LKJ in Cardiff, 1980
While Ras Michael's Dadawah is the more intensely meditative, if not spiritual listening experience, it is LKJ's Forces of Victory that garners the top spot as the greatest reggae album on this deserted island.

Linton Kwesi Johnson was born in Jamaica, but like many Jamaicans in the middle to late 20th Century, his family moved to the UK, the Brixton suburb of London when Linton was a child. Johnson got his degree in sociology in London in the early '70s and later became a Black Panther with whom he began writing and organizing poetry sessions. Later he set his poetry, which dealt with socio-politcal problems like "fascism", racism, poverty in Thatcherist England, to infectious dub-heavy rhythms. His troika of releases in successive years starting in 1978, Dread, Beat and Blood, Forces of Victory and Bass Culture and later Making History, released in 1984, solidify him as one of the greatest artists of any genre.

The insert of Johnson's most recent release, Live in Paris, has this to say about his impressive resume:

"As recently as 1982, The Spectator (the oldest continuously published magazine in English) wrote that the Jamaican patois and phonetic spelling used by Johnson “wreaked havoc in schools and helped to create a generation of rioters and illiterates.” But this year Johnson was voted #22 in a poll of the top 100 Black Britons of all times. He became the first Black poet and the second living poet to be included in Penguin Books’ iconic Modern Classics series, with the publication of Mi Revalueshanary Fren. He was made an Honorary Visiting Professor of Middlesex University and received an Honorary Fellowship from his alma mater Goldsmiths College, part of the University of London. The UK’s original dub poet has come of age."


Get the album at Babe (B) Logue







Linton Kwesi Johnson

Saturday, October 1, 2011

#2: Ras Michael & the Sons of Negus - Dadawah Peace & Love (1974)




"The hotter the battle is the sweeter Jah victory..." Underappreciated, underrated, mostly unknown, this is Ras Michael's opus to Jah, the ultimate Nyabinghi evangelical Rastafarian experience. Sparse, dark, foreboding, ominous, positive, uplifting. One imagines observing the gathering through a cloud of ganja from just outside the group's drum circle, where in reality drummings and chantings would be interspersed with poetry and speeches hailing Jah Rastafari--the Rastas were true bohemians. Beautiful piano and hand drums from the dark Jamaican night couple with Ras Michael's calls for brotherhood and repatriation to Zion.

Link to Dadawah at this interestingly named site...

Thursday, September 29, 2011

#3: Yabby You - Jesus Dread 1972-1977




A double disc compilation of 47 killer tracks with a list of star artists--King Tubby, Tommy McCook, Dillinger, Big Youth and Michael Rose performing on Yabby You penned and produced rhythms. Yabby You's work in the six year stretch between 1972-'77 is the pinnacle of deep roots reggae. If you are not a fan of spectacularly raw, versioning roots reggae, then this album is definitely not for you. If not, check your soul because the problem is definitely not with the music.

Link to Jesus Dread at Oufarkhan.





Vivien Jackson, aka Yabby You

Tuesday, September 27, 2011

#4: Hugh Mundell - Africa Must Be Free by 1983 (1978)




Hugh Mundell wrote and cut every one of these songs on this his debut album when he was 16 years old with the help of some people with a bit of experience--Jacob Miller, Prince Jammy, Robbie Shakespeare, Lee Perry recording two of the songs and Augustus Pablo producing and supervising the sessions. The socially conscious young Rastafarian delivers an impassioned statement on society, religion and politics. The sad irony to the title is that Mundell was murdered in 1983.

The most recent release of this album comes with the dub versions tacked on, making it a double album of sorts.






Hugh Mundell and Augustus Pablo

Sunday, September 25, 2011

#5: Burning Spear - Hail H.I.M. (1980)




Burning Spear's Marcus Garvey is rightly acknowledged by reggae fanatics as among the greatest albums ever cut. But for me his Hail H.I.M., a tribute to Haile Selassie, is slightly the better work. Maybe its my penchant for dub roots and lots of negative space that lets the music breathe, a sound that defines this album, that acts as the decisive factor. Like LKJ's Dread Beat An' Blood (#10 on the Desert Island list), this is a record with songs like "Foggy Road" that can and should be cranked to extreme volumes...it's the kind of music one should not just listen too, but feel.. as in let the literal vibrations wreak havoc upon your desktop/home stereo/headphones. When I get serious about listening, I bust out the Skullcandy, a headphone I cannot recommend highly enough.

Get Hail H.I.M. at Dub Roots




Winston Rodney, aka Burning Spear

Friday, September 23, 2011

#6: Ini Kamoze - Ini Kamoze (1983)






I'm not a real big fan of Ini Kamoze's work after this, but this album he cut with Sly & Robbie is sick. Honestly, just about anyone could have laid some vocals over these rhythms and the record would still be hot, but the youthful Kamoze lays down the perfect vocal for this session and vaults the album into one of the greatest ever recorded. Only 6 songs with lots of jamming and the familiar, heavy Sly & Robbie bass and drum.The greatest of the latest that reggae had to offer before digital dancehall ruined the party...for me at least.

Get it over at Global Groove.


Wednesday, September 21, 2011

#7: Keith Hudson - Flesh of My Skin, Blood of My Blood (1974)




The darkest of dark roots that reggae has to offer. Not one to put on at a party. Rather, wait until all but a few of your guests go home, dim the lights, light some candles and a spliff and take the trip. A socio-political black [Jamaican] album, an indictment on colonial culture, a call to arms and revolution to blacks delivered with some great, great rhythms. Check the swamp-drenched understated funk rhythms of "Darkest Night", "Talk Some Sense" and the dub "My Nocturne". One of the top ranking, most unique reggae albums from one of its most under-appreciated talents.

Link to Flesh of My Skin, Blood of My Blood 



Monday, September 19, 2011

#8: Sugar Minott - At Studio One (197x)



Sugar Minott had the sweetest voice in reggae. He was given the best of the best rhythms from Coxsone Dodd's Studio One and makes good on each and every one. It's truly sickening how many classic songs there are here. It does, however, get docked a few notches to #8 by virtue of being a collection. Otherwise, the selections here are pretty much unsurpassed.


As always with proper releases, buy it if you like it. This one is available through Soul Jazz Records